The film takes a minimalist approach to narrative structure while maximizing the juxtaposition between character and landscape; it has also been reprised and exhibited in various installation forms. The film makes extensive use of architectural locations in Hyderabad, Deccan such as the late Deccani style Paigah Tombs and Qutb Shahi era Toli Mosque juxtaposed with the character moving through the space(s) and the quality, color and intensity of light cast through and around the buildings. Salaat is a mystical work which also showcases a diversity of characters and identities.